By Nicholas Rombes
With a brand new creation and new fabric, this up-to-date variation takes a clean examine the ancient and modern kingdom of electronic cinema. It can pay certain awareness to the ways that nostalgia for the appear and feel of analogue disrupts the aesthetics of the electronic picture, in addition to how fresh motion pictures equivalent to The Social Network (2010) and The woman with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their electronic foundations. The ebook additionally explores new percentages for writing approximately and theorizing movie, similar to randomization.
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Have electronic applied sciences reworked cinema right into a new paintings, or do they just reflect and mimic analogue, film-based cinema? Newly revised and extended to take the most recent advancements under consideration, Cinema within the electronic Age examines the destiny of cinema within the wake of the electronic revolution. Nicholas Rombes considers Festen (1998), The Blair Witch venture (1999), Timecode (2000), Russian Ark (2002), and the hoop (2002), between others.
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Cinema in the Digital Age by Nicholas Rombes